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dc.contributor.authorMartens, Didier
dc.contributor.authorVelasco González, Alberto
dc.contributor.authorDimov, Alexandre
dc.contributor.authorZdanov, Sacha
dc.date.accessioned2021-02-02T16:14:16Z
dc.date.available2021-02-02T16:14:16Z
dc.date.issued2020
dc.identifier.issn1888-9751
dc.identifier.urihttp://hdl.handle.net/10459.1/70410
dc.description.abstractFrom the 1890s, 15th and 16th century Flemish painting rediscovery generated a large-scale production of Flemish Primitives forgeries. While some of these are made using a modern support, others are paintings abusively restored. A certain number of these fakes found their way into Spanish collections, and even famous authors such as Chandler Post, Jacques Lavalleye and Elisa Bermejo believed them to be genuine Flemish or Hispano-Flemish works. Amongst the newly detected forgeries investigated in this contribution, some can be ascribed to the Belgian restorer and forger Joseph Van der Veken, others to the mysterious 'Valls Marín Forger'.
dc.description.abstractFrom the 1890s, 15thand 16thcentury Flemish painting rediscovery generated a large-scale production of Flemish Primitives forgeries. While some of these are made using a modern support, others are paintings abusively restored. A certain number of these fakes found their way into Spanish collections, and even famous authors such as Chandler Post, Jacques Lavalleye and Elisa Bermejobelieved them to be genuine Flemish or Hispano-Flemish works. Amongst the newly detected forgeries investigated in this contribution, some can be ascribed to the Belgian restorer and forger Joseph Van der Veken, others to the mysterious 'Valls Marín Forger'.
dc.format.mimetypeapplication/pdf
dc.language.isofra
dc.publisherUniversidad de Valladolid
dc.relation.isformatofReproducción del document publicat a: https://doi.org/10.24197/bsaaa.86.2020.353-392
dc.relation.ispartofBoletín del Seminario de Estudios de Arte, 2020, núm. 86, p. 353-392
dc.rightscc-by-nc (c) Didier Martens, Alberto Velasco Gonzàlez, Alexandre Dimov, Sacha Zdanov, 2020
dc.rights.urihttps://creativecommons.org/licenses/by-nc/4.0/
dc.subjectFaux
dc.subjectHyperrestauration
dc.subjectPrimitifs flamands
dc.subjectVan der Veken
dc.subjectFaussaire de Valls Marín
dc.subjectThierry Bouts
dc.subjectMantegna
dc.subjectMemling Van der Weyden
dc.subjectDürer
dc.subjectGérard de Saint-Jean
dc.subjectMaître de la Madone Grog
dc.subjectMaître du Retable de saint Barthélémy
dc.subjectFake
dc.subjectOver-restoration
dc.subjectFlemish Primitives
dc.titleFaux Primitifs flamands dans les collections espagnoles: uvres publiées, uvres inédites (Collections d'Espagne III?)
dc.title.alternativeFlemish Primitives Forgeries in Spanish Collections: Published and Unknown Works (Collections d’Espagne III?)
dc.typeinfo:eu-repo/semantics/article
dc.date.updated2021-02-02T16:14:16Z
dc.identifier.idgrec030980
dc.rights.accessRightsinfo:eu-repo/semantics/openAccess
dc.identifier.doihttps://doi.org/10.24197/bsaaa.86.2020.353-392


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cc-by-nc (c) Didier Martens, Alberto Velasco Gonzàlez, Alexandre Dimov, Sacha Zdanov, 2020
Except where otherwise noted, this item's license is described as cc-by-nc (c) Didier Martens, Alberto Velasco Gonzàlez, Alexandre Dimov, Sacha Zdanov, 2020