Browsing Articles publicats (Anglès i Lingüística) by Author "Casado Gual, Núria"
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Ancient Voices in Contemporary Theatrical Forms: The Case of The Bacchae by Kneehigh Theatre
Casado Gual, Núria (Department of Theatre, University of Kansas, 2014)Only separated by two years in their publication, Sarah Ruhl’s Eurydice (2003) and Kneehigh Theatre’s The Bacchae (2005) re-introduced two ancient myths into the theatrical spectrum of the beginning of the new millennium. ... -
Bodies that Question : Anti-Illusionistic Acting in Edgar Nkosi White's Theatre
Casado Gual, Núria (Facultat de Filologia, Universitat de Barcelona., 2006)Many members of the theatrical profession believe that dramaturgies which subvert the apparently coherent and truthful world offered by Naturalistic aesthetics represent our world of ... -
Claudia Jones a través de Winsome Pinnock. Retrat d'un retrat teatral
Casado Gual, Núria (Universitat Jaume I, 2002)En el seu clàssic tractat de teoria literària, Welleck i Warren afirmen que la biografia és en realitat una part de la historiografia i que la tasca d'un biògraf és, per tant, comparable a la d'un historiador -
"Finding another face inside my face" : the semiotics of mime in Edgar Nkosi White's racialized dramaturgies
Casado Gual, Núria (Universidad de Zaragoza, 2008)According to Tadeusz Kowzan, facial mime may be regarded as the system of kinetic signs that is closest to verbal expression. At the same time, as Kowzan contends, mime constitutes together with gesture the most personal ... -
Joanna McClelland Glass’ Mrs. Dexter and Her Daily and the Inter-play among Age, Gender and Class
Casado Gual, Núria (Universidad de Huelva, 2015) -
(META)-Theatrical Old Age in Two Contemporary European Films
Casado Gual, Núria (SAGE Publications, 2014)Similar to literature or the performing arts, the cinema and, in particular, the narrative film constitutes a useful artistic and textual source which can throw light on the construction of old age and its (mis)representations. ... -
Mujeres mayores también activas, creativas y fuertes: modelos para romper estereotipos
Molina, Fidel; Casado Gual, Núria; Sanvicén, Paquita (Fundación iS+D para la Investigación Social Avanzada, 2018)Desde las metodologías propias de las humanidades, los estudios internacionales sobre la edad y, en concreto, la gerontología literaria, demuestran el papel benefactor que la práctica narrativa ejerce sobre la calidad de ... -
New or Old Models of Ageing? The Older-Woman Figure in Two Contemporary Catalan Soap Operas
Oró Piqueras, Maricel; Casado Gual, Núria (Taylor & Francis Online, 2017)In her work on women and the soap opera, Christine Geraghty argues that precisely the extended form of this TV genre, both in time and consequent plots, has contributed to a wider representation of women in terms of their ... -
Old Age as Theatrical Matter: Devising and Performing CollAge, a Play on the Masks and Mirrors of the Ageing Process
Casado Gual, Núria (Instituto de Investigaciones de la Facultad de Filosofía, Letras y Estudios Orientales, Universidad del Salvador, 2009)This article will present the architectural configuration of CollAge, a theatrical show that focuses on old age and the inner lives it may generate, and which intends to highlight the irrelevant permanences and necessary ... -
Old Tropes through New Lenses: Representing the Older Actor in Manoel de Oliveira's I’m Going Home and Roger Michell's Venus
Casado Gual, Núria (Taylor & Francis, 2015) -
Pre-dicting the Past, Re-membering the Present, Imagining the Self: the Theatricalization of Memory in Mnemonic by Simon McBurney and Complicité Theatre Company
Casado Gual, Núria (Cambridge University Press, 2012)Mnemonic, a play conceived and directed by Simon McBurney and devised by Theatrede Complicite, words are not only time capsules in which different fictionalized memoriesare preserved, but also mnemonic objects in their own ... -
Staging displacedness: the disturbing spatial conceits of Edgar Nkosi white’s drama
Casado Gual, Núria (Universidad de Almería, 2005)Emerging from the author ’s own diasporic experience in the Caribbean, the UK and the United States, Edgar Nkosi White ’s drama reflects the reality of the raciallyoppressed from multiple perspectives. Focusing on the ...